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da insanı ön plana çıkaran ve tanımlayan objelerle, yerleştirme sanatı açısından eser üretmiştir. Çin
                     kültürüne göre masa her anlamda birleştirici, zenginleştirici ve ritüellerle süslenen niteliklere sahip
                     olmuştur.  Sıradan  bir  kavram  olan  masa,  sanat  açısından  dil  ile  düşüncenin  kapsamında
                     anlamlandırılarak sanat tarihinde yerini almıştır.

                            Kaynakça
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                            Dr. Thomas Folland, "Joseph Kosuth, One and Three Chairs," in Smarthistory, December 21, 2017,
                     accessed October 3, 2023, https://smarthistory.org/kosuth-one-and-three-chairs/
                            Görenek, G. (2023). Rönesans'tan Modern Sanata Kadar Resim Sanatında Masa ve Anlatımları- I.
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                            İncirkuş, B. (2020). Çağdaş Sanat Yapıtının Göstergebilimsel İncelenmesi: Joseph Kosuth’un “Bir
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                            Kleutghen,  K.  (2019).  Rejointing  Past  and  Present:  Classical  Chinese  Woodworking  and  Ai
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                     Ai_Weiweis_Furniture_Sculpture
                            Levine, S. (2019). Ai Weiwei: Interrogations of Tradition. The Allure of Matter: Material Art from
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                            Özgün,  Ş.  (2012).  Kavramsal  Sanatta  Öznelleşme  ve  Metalaşma,  Yüksek  Lisans  Tezi,  Ankara.
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                            Şengül, E. (2013). Dilbilimsel Kavramsalcılıkta Anti-Görsel Deneyim ve Anti-Estetik Haz. Joseph
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                            https://www.base.ist/eser/sandalye-kapmaca/
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                     ARTIST-01.jpg























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